Lawn Chairs

Contributor: Eric Suhem

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Alfred was a somnambulist. As a somnambulist, he would walk about the house in the middle of the night, deep in slumber, sitting in different chairs, turning on and off various faucets, eventually winding up back in bed. His family had become accustomed to his nocturnal ramblings. One morning, after falling asleep in bed the night before, he woke up in a brightly colored lawn chair out in his vegetable garden. The morning after that, he woke up in a neighbor’s yard, and the next morning in another neighbor’s yard. Each morning Alfred would wake up in the brightly colored lawn chair, closer and closer to the nearby freeway, until he woke up 10 feet away from the road’s speeding cars. At this rate, he would wake up on Lane 1 of the freeway.

Two mornings later, after the usual nighttime ambling, he did wake up in a brightly colored lawn chair on the freeway, but saw that 78 other people were either asleep or awake in brightly colored lawn chairs on the freeway, so everybody got out of their stopped cars and had a picnic. While chewing on a blood orange, one of the lawn chair occupants asked Alfred, “Who are you?” Alfred was about to describe his dead-end job at the orange grove, packing crates, preparing invoices, and sweeping up orange peels, when, in an epiphany, he suddenly visualized his new career, saying, “I’m Alfred Lindquist, I sell lawn chairs.”

The person chewing the blood orange looked at Alfred strangely, and cryptically muttered, “Through the miles of desert in the blazing sun…on the arid, parched, barren ground…ants and worms crawling amidst wayward oranges…wind howling through the empty canyons…in the middle of the silence sits a wooden coffee table…on it pumps a heart…veins, arteries, aorta, valves, pulp, peels…blood and soul spread out on the dirt…it’s the heart you’ll never know.” He then handed Alfred an orange.

Alfred started a new business selling yard furniture, and the sleepwalking stopped, much to his family’s relief. One night, after the business day had ended, Alfred sat down to fill out some paperwork that had been piling up. The plastic blinds of the window were open, filtering the glare of the streetlights onto the imitation wood paneling of his office. The first item in his inbox was a refund request for one of the lawn chairs he’d sold the previous week. This particular lawn chair included the wide orange ‘Happy Face’ on its seat. Unfortunately, customers of this product had reported skin rashes, and more severe epidermis disturbances. It was soon discovered that some fibers in the ‘Happy Face’ symbol on the lawn chair, derived from an obscure toxic plant, were creating itching, and much worse. Hostile litigation would undoubtedly flow in, and further tests indicated that an increase in degree of the smile caused more skin rashes, as more of the toxic threads of the wide smile were directly under customers’ legs on the chair. One of these chairs was in Alfred’s office, and he looked at it, the ‘Happy Face’ seeming to word, “Who are you?”

The next item in his inbox was an invoice for another lawn chair he had sold that week. Alfred needed to sign his name on the invoice, but for some reason, no matter how hard he tried, could not remember his name for the signature. He set the invoice aside, and picked up the next piece of paper, a memo from the orange grove, having to do with his some minor job severance insurance issues. His name popped instantly into his head and he was able to sign his name: Alfred Lindquist. He picked up the lawn chair invoice again, and stared at the signature line, unable to sign. The somnambulism returned.

The next morning, after a night of sleepwalking, he woke up in a lawn chair under orange trees in the orchard where he used to work. In his lap was the orange that the strange person had given to him on the freeway weeks ago. The orange had a little “d” imprinted on its side, and it was ticking, like a bomb. A year ago, Alfred had seen another orange with a “d” imprint, which had been an advertising stunt from a fruit juice stand, extolling the benefits of Vitamin D, but this time he realized that the “d” stood for “decide”. He stood up, threw down the lawn chair, and went to the orchard manager’s office, where he got his job back. The orange stopped ticking, and later became a refreshing mid-afternoon snack for a passerby.


- - -
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Dawn

Contributor: Rebecca Buchanan

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He was awakened at dawn by a terrific crash, a bunch of smaller crashes, and the shriek of his car alarm. Muttering, he pulled on his robe, grabbed his keys, and staggered down the stairs. The old bat in 3C was already whining about her beauty sleep.

The roof of his Corolla was completely caved in, a large chunk of scaly rock in its center. Smaller bits of rock were scattered around. His toe bumped something that might have been a claw or horn. He stabbed at the key chain a few times. The pretty girl from 4G, her earbuds belching Ozzy, shrugged as she jogged passed him. The alarm squeaked and abruptly cut off. He sighed, wondering what the chances were of reaching his insurance guy on a Sunday morning.

The old bat was leaning out her window now, yelling down at him. He looked up to yell back. And kept looking up. The rest of the flock was perched on the fifth-floor ledge. A couple of them were covering their eyes, wings curled tight. A third leaned down, reaching, eyes and mouth wide: horror and despair petrified for all the daylit world to see.


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Rebecca Buchanan is the editor of Eternal Haunted Summer, a Pagan literary ezine. She has been previously published in Luna Station Quarterly, Bards and Sages Quarterly, Cliterature and Hex Magazine.
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Scablands

Contributor: P.A.Levy

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the great outdoors isn’t that great if the outdoors is a council estate a bomb city with some of its glass panes still intact where grey scratches on the grey landscape to form into rectangular outlines of washing machines left to get a rinse in the dirty acid rot not trip rain and under an orange glow of city echoes fridges are left out freezing their nuts off in the cold as creeping rust begins to accumulate and spread across the incinerated carcasses of exhausted cars whose final act of exploding into flames provided entertainment for several minutes of wild jubilation as if worshipping some heathen god to free the world of boredom and the bass and drum of drum&bass mashed with dubstep follows you like radar trace orchestrates skank in yer gait shuffling in the shadow of a high rise where the junkies crash on the top floor getting as close to heaven as they dare YOU DON’T GO ON THE TOP FLOOR in fact don’t go near the underground car park either STAY IN THE OPEN STAY IN THE LIGHT but don’t take that as a metaphor for god ‘cos it ain’t it’s survival tagged on the shuttered shops of the cctv parade like a holy scripture for an underclass but then being as low as that the only way is up lifts are smashed plod each stair until yer muscles ache too far to turn back now straight up darkside with the top floor about to greet you


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Born East London but now residing amongst the hedge mumblers of rural Suffolk, P.A.Levy has been published in many magazines, both on line and in print, from ‘A cappella Zoo’ to ‘Zygote In My Coffee’. He is also a founding member of the Clueless Collective.
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Pocket Mouse

Contributor: Simay Yildiz

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''Fuck off,'' I hiss between my clenched teeth, staring inside the eyes of the boy who came up from behind me and is still holding a supposedly-dead, plastic mouse in front of my face. As I stare and state into his eyes grinding my teeth, I can hear the other boys whispering, “She’s not scared…” My stare-boy turns away when I pull the toy from his hand in full force. Facing his friends, ''She's a witch,'' he shrieks with his hands up in the air, and with the blink of an eye, there are no more boys in sight. I throw the mouse into my coat pocket and check the time on my cell phone: I don’t need this on an empty stomach…

The food is an hour away from where I get on the bus, so once I find an empty seat, I sit down and open the book I've been trying to read for a week. The driver's deep, loud voice distracts me. “You again? Once again you don't have any money, do you? Why you always gotta pick MY vehicle?” I sit up, thinking there'll be a fight and I'll have to spend the night with this leather seat grabbing my ass. As I think about the burgers and the beer I could be filling my stomach with, I turn to see who the money-less person is.

The bus starts moving again, and the driver is giggling: it's a 15-year-old boy with the biggest and warmest smile I've ever seen. It takes me quite a while because he looks very different under the lights, but when I realize it’s the same boy who pulled the plastic mouse trick on me, I listen in closer: he never could learn how to read ''all the confusing'' letters, but he's good at counting money when he has it. He has his dead mother's ability to shape unshapely things, so his father found him a job at a barbershop.

Thinking to myself what someone might call a cute face like that, I try to catch his name. As I listen more, staring at my hands, I realize I really just want to pinch his cheeks and squeeze him until he giggles so hard he can’t breathe. I laugh a satisfied laugh, the booze I haven’t yet consumed already kicking in.

''Whatcha laughin’ at?'' asks barber-boy as he sits next to me. ''Nothing,'' I say and turn to him, which makes him jump out of the seat and get on his knees: ''Oh, please, the beautiful witch of the town,'' he says, ''please kiss me and make me immortal – I beg you.'' I catch the driver's eyes on his mirror, and I mouth WHAT THE FUCK? ''Never mind him,'' he says, ''he's got a few loose screws.''

Whenever the bus stops to pick someone up, the driver threatens my barber-boy, saying he'll throw him out for not having the fare. He's joking, but barber-boy doesn't understand; he gets on his knees, trying to hold onto the side of the vehicle, ready to cry. This happens a few times, and I can't take it anymore. ''Quit it,'' I say to the driver as I walk up and throw at him whatever change I have in my coat pocket.

With the change flies out the supposedly-dead, plastic mouse and the lady sitting in the front starts screaming as if she saw her dead husband’s ghost. The bus stops all of a sudden; I can't catch the railing on time and fall on the screaming lady. When I hear barber-boy laughing his ass off, I can't help but join in. ''GET THE HELL OUT," yells the driver, "BOTH OF YOU – NOW!" We jump off, still laughing, and the screaming lady throws the mouse at me, but I catch it before it hits my face, which makes barber-boy go, "Woooooooow!"

"Guess ya gotta go naw," says barber-boy when we cool down. I motion him to get closer and give him a kiss on the cheek. Holding my palm in front of his face, "You're immortal now," I whisper, and watch him skip as he walks down the side street. "What's your name," I yell after him, but he's already lost in the dark.


- - -
Simay lives and works as a copywriter in Istanbul. She likes reading thankyous in CD booklets, dancing in the rain and staying up all night to read. She might burst into song at random times.
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Manga Girls Need Love: Pigeon-boy

Contributor: Kyle Hemmings

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When he first learned he could fly, Pigeon-boy blushed at the thought of hand-me-down wings. Yet, he learned to dance on street corners, laugh mid-stream at the thought of being lighter than an idea. Then he was hired to carry messages between lovers. The distances increased & Pigeon-boy grew breathless. Sometimes, he delivered messages to the wrong lovers. The notes read I love you, still, or walking on air. Some receivers at the wrong destinations died in air-tight bliss. When this happened, the world grew smaller. One day, a morning where everyone carried some form of artificial sunshine in their pockets, of paper planes released from the sweaty palms of air controllers, Pigeon-boy delivered a note that read: I don't love you anymore. He fell from the sky. A girl named Yugi took him home, brought him back to life with her songs of flight. From then on, Pigeon-boy was wiser with air-time, more cautious about his fly-ways. He circled & landed only within her. In total, they never touched ground. Whenever she breaks open a Chinese cookie, the message is always the same--When the world is cold, stay indoors.


- - -
Kyle Hemmings lives in New Jersey. He has two chapbooks from Scars Publications: Avenue C (2010) and Cat People (2011), and one forthcoming from NAP: Tokyo Girls in Science Fiction.
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Sugar

Contributor: Autumn Humphrey

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You know better than to eat Gummi bears.  Reminders of the last time are still evident back at the house, the couch missing an arm and a bullet hole in the ceiling.  Fingering the crinkly cellophane of the package, you imagine the chewy sweetness and throw it into the cart.  Maybe you’ll put it back at some point, but for now you indulge the thought of being naughty. 
Making your way through the store, you keep an eye on the clear bag with the multi-colored little bears inside.   When adding more items to the cart, sugar-free soda, sugar-free grain bars and oatmeal, you take care not to bury the treasure of sweet treats.
The next day you don’t remember paying for the Gummi bears, but you have an idea you did.  The evidence is obvious:  Two more bullet holes in the ceiling, the Barcolounger destroyed, and a missing husband.
Rubbing your eyes, you try to remember what happened.  As you clean up the mess, you pray you don’t find blood, like last time.  In the closet upstairs there is no male clothing.  The drawers are also empty of boxers or briefs.  The medicine cabinet holds only your prescription bottles.
You finally find your cell phone between the cushions of the sofa.  Frantic, you search for your husband’s cell phone number in Contacts.  Nothing.  You check the dialed calls and missed calls.  Still nothing.  Then you realize you don’t remember your husband’s name. 
As you curl yourself up into a fetal position on the couch, you hear a crinkling sound, and find the package of Gummi bears.  It has not been opened. 
It wasn’t the Gummi bears after all, you think, as you tear open the bag and stuff a handful of candy into your mouth.  An overwhelming sense of joy fills you from the sweet taste of forbidden fruit, and your body relaxes.  Across the room you see another cellophane bag.  It is empty except for a few little bears, who begin to march slowly toward you.


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Autumn Humphrey's stories can be found at Every Day Fiction, kill author, The Legendary, Aurora Wolf, and other sites. She lives in Long Beach, California where she is an active member of the Long Beach Writer's Group. She cut her teeth writing short fiction in a factory not far from here where the sound is click-clickety-click and everything else is silent.
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The Trip

Contributor: Moxie Malone

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"Hello you. How was your trip?" he asked her as she entered.

"Fun...wondrous...interesting. It was everything you said it would be," she beamed as she dashed in. "Still, it's good to be back," she added and wrapped herself around him.

He chuckled as he drew her close, "It's good to have you back."

"Ummmhmm," she purred as she wallowed in his loving embrace. "Next time we should go together."

"We'll have to plan that. So, tell me all about it. Did you get to do everything we talked about?"

"I sure did," she told him excitedly. "Some things more than once!"

"Food?" he asked.

"Yum!" she exclaimed.

"Dancing?" he queried.

"Oh, I danced until I dropped from exhaustion," she told him, giggling.

"Sex?"

"Well, sure. There was plenty of opportunity for that," she laughed. "It would have been better with you there, though."

He flexed and squeezed her.

She sighed a bit, "It's...it's...just so hard to get close to anyone, you know?"

"I know. It's such a short time. It seems like you just get there and get the hang of things and it's time to come home."

"There is that, but...," she paused as she pressed into him, simply luxuriating in the feel of him.

"But?" He asked as he held and stroked her.

She drew back a moment as she collected her thoughts, "I just don't see how anyone can ever get close to anyone, there. Things get in the way."

"Things," he repeated as he considered what she was saying. "Ah," he said as he pulled her back to him, "You mean the bodies."

She felt herself happily, blissfully melting into him, "Exactly. You can't do this with bodies. They just get in the way."


- - -
Moxie is a purveyor of dreams, fantasies and the occasional nightmare -- Purv for short. Usually sensual, often romantic, frequently erotic, sometimes humorous and nearly always offbeat aiming for provocative, the stories that she writes as well as the people, places and events found in them are pure fiction and nothing more - as far as you know.
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The Lizard’s Don Giovanni

Contributor: Samantha Memi

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I was lying in bed wondering if the hotel would remember to wake me in the morning when a gecko came in through the window and walked along the wall.
I was too tired to shoo it away.
“You won't hurt me will you, Mr Gecko.”
“I'm looking for roaches, big fat juicy roaches. What would I want with the likes of you.” and he continued his journey on the wall.
Just as I was drifting into sleep he started whistling. There's nothing worse than a whistling gecko when you're trying to sleep.
“Do you mind not whistling?” I asked.
“What's with all the complaining?” he replied, “you get on with your life and I'll get on with mine.”
“Yes, but your whistling bothers me.”
“You're breathing bothers me. Do I complain about it? No. Why not? Because I believe in letting others live their lives the way they want to. But not you. You want to dictate to others how they should live.”
He stopped whistling. I drifted. I needed to get to the train station early to ensure I got a ticket.
He started singing. It was a song about a cockroach who fell in love with a grasshopper and wooed her with many gifts and just as they were about to marry both were eaten by a gecko. I asked him not to sing.
“What? you wanna run my life for me? I can't do anything because big fat Miss Human thinks she can tell me what I can and can't do.”
“I want to get some sleep.”
“I'm not stopping you.”
“You’re singing.”
“I like to sing. You don't like singing and that gives you the right to stop me.”
“I do like singing, but...”
“You like Mozart?”
“That wasn't Mozart.”
“I didn't say it was, I asked if you liked him.”
“Yes.”
“You like Don Giovanni?”
“I have to get up in the morning. I just want to sleep. This is my room.”
“Your room? So I'm not allowed in? Is that what you're saying? Do I tell you not to climb my tree? No. And you know why? Because I don't have a tree. Did you ever see a gecko struggling along with a backpack? No. You know why? Because we’re free. We're not enslaved by possessions and all your stupid this is my room, this is my bed, this is my space. You should learn how to live.”

This was too much. I had to see Janine tomorrow. I got out of bed.
“Hey hey hey,” screamed the gecko, “I know you're bigger than me. But there's no need to resort to violence. Why don't we settle this matter amicably.”
I picked up a newspaper and shooed him out of the room. I closed the shutters and the window, and lay down. Without the cool breeze it was too sticky hot to sleep. The hotel sign squeezed intermittent orange and green through gaps in the shutters. I listened to the crickets. Then from the window I heard a squeaky song:

The grasshopper and the cockroach they wanted to wed.
But sly Mr Gecko, he ate them instead.
And selfish Miss Human, she lay on her bed.
Thinking and dreaming that he would be dead.
But a gecko so lively, it has to be said,
Could outwit a human without any dread.


Sleep was out of the question. I went down to the bar.
“There's a gecko in my room.”
“All the rooms have geckos.”
“It's singing.”
“Opera?”
“It's keeping me awake and I have to get up early to buy a train ticket.”
“I can sell you a ticket. Where are you going?”

Ticket in hand and no thought of queues in the morning, I went back to my room and opened the window.
The gecko stood on the window ledge.
“Oh, it's you,” he said.
“Do you know the duet of Don Giovanni and Zerlina?”
The gecko coughed and cleared his throat, he stood on his hind legs and looked at me. In perfect Italian he sang:
Lá ci darem la mano, lá mi dirai di sì
I stood by the open window bewitched by the sunrise gradating into the purpling sky and sang:
Vorrei e non vorrei, mi trema un poco il cor
The gecko stood on the ledge, his slit eyes gazing at me, and our hearts came together in Mozart, and I forgot about queues and train stations and lived for the moment, not for tomorrow.


- - -
Samantha Memi lives in London. Her fictional life can be found at http://samanthamemi.weebly.com/
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Funeral

Contributor: Marissa Medley

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When I met her for the first time, we were at a funeral. Everyone was so somber, which is to be expected at a gathering of the kind. It was interesting for me to see how everyone coped with the loss. Women cried into the arms of their husbands. Husbands patted the backs of their close friends saying things like “How unexpected” and “What a great loss”. The little children cried for their mothers and asked what was wrong. The mothers replied in sweet voices trying to keep in their tears. They didn't want to explain that someone they all once knew and loved had died. The crowd all around me was quiet and sad. Almost everyone had cried at some point except for me and her. When I looked at her, her face was even more blank than mine.
I felt uncomfortable to watch her. She was there just watching everyone pass by her. Like her, I was just there to support my family. We both watched as people passed by the body. The mother of the daughter who had died was crying hysterically. The cries reached a volume that seemed too loud to be coming out of a human body.
As other people started to go up to see the casket, I stayed behind to watch the children. There was something so beautiful in their innocence. I envied their ability to be at the funeral without feeling guilty that they were still alive. They had no idea that someday there would be a funeral for them. Soon though, they would find out how life ends.
One of the little girls I was watching ran over to her crying grandmother.
“What's wrong Gramma?” she asked.
“Gramma lost something very precious to her,” she answered while barely keeping her composure.
“What'd you lose, Gramma?”
“I lost a precious gem. A very, very, very precious gem,” the grandmother said while picked up the child. She held the girl so close as if she were afraid that death would fly in at that moment and take another granddaughter away from her.
The crying grandmother had made me feel horrible for not joining her in being sad. Instead, I just felt guilty. To take my mind off of the guilt, I looked up and saw the blank faced girl still there. Even though her face was blank, there was some sort of a peace in her expression. There were no tears coming from her eyes. She had been wearing an odd item for a funeral. On top of her head sat a tan cowboy hat. Nobody seemed to care or notice. They acted like it was just part of her.
“Would you like to come up and see the body?” asked a man I had come with.
I wasn't terribly excited to go up and see the body, but I wanted to show my respects. I didn't answer the man with words. I nodded my head and waited in line to see the body. I looked around and saw the people mourning. There were many young people there who looked shocked and confused. They didn't understand how someone so young and full of life could end up dead. I heard gossip from two old women behind me who had said that she died in a car crash. The driver had been speeding and they were not wearing seat belts. The women behind me seemed to be angry because such a stupid mistake of not putting on a seat belt killed the young girl.
Again I looked up at the girl with the blank face. At this point people were watching her and she was watching back even more intently. Her coldness had started to bother me.
When I got up to the casket her grandfather hugged me and thanked me for coming. He gave some trivial advice about driving that many people had told me before, except for when he said it there was more meaning. He had been affected by that piece of trivial advice more than anyone could know. I had finally started crying. I couldn’t control myself. The tears of previous losses, fears, and guilt had been set free.
When I looked down into the casket I saw the girl with the blank face. She was the girl who had tragically died in the accident. Her hat had covered up the damage from the accident. She was dead, but she was still watching everyone and I could tell. She wasn't sad.


- - -
Marissa Medley is currently attending Toledo School for the Arts, where she takes a creative writing class. She writes prose and poetry. She also loves to read and is often inspired by J.D. Salinger and Sylvia Plath.
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Floating?

Contributor: Allen Griffin

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There is a grinding of metal on metal as the two cars meet and become one, fenders locking lips and fluids co-mingling. The bones snapping and the sudden exhale. The voice that lives in the blood crying out one final time, is less than an afterthought, lost silent in the cacophony of this moment.
Just as quickly as it occurred, I am floating above the highway, a canal that is quickly clogging like the artery that I secretly had figured would be my true end. I am not sad that I cannot say goodbye, their faces are already slipping away, the imagery lost in the afternoon haze and exhaust fumes. I am quickly losing myself into a strange memory, wondering if I am really up here, floating, or if my brain has thrown together this image as the last neurons fire their sacred payload.


- - -
Allen Griffin writes and plays music in Indianapolis. His work has previously appeared in Rebel Doll zine, Indiana Horror Anthology, and Theory Train.
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